Official Release of Bruce Springsteen & The E Street Band Live at The Roxy, Los Angeles, CA, October 18, 1975

Bruce Springsteen’s official series of live concert downloads continues with today’s release of the first of two shows that were performed at The Roxy October 18, 1975 during a four-night stand at the venue. This release documents the entire performance of the first show from night three. Jon Altschiller mixed the show from a restored transfer of the 16-track, 2-inch master reels. The sound quality is fantastic and captures the thrill of experiencing Bruce and The E Street Band in a small, intimate venue. 

You can purchase the download of the show here:,20734/Bruce-Springsteen—The-E-Street-Band-mp3-flac-download-10-18-1975-The-Roxy-West-Hollywood-CA.html

Prince And The Purple Rain Era Studio Sessions 1983 And 1984 Expanded Edition

Author Duane Tudahl’s updated and expanded edition of his 2017 book Prince And The Purple Rain Era Studio Sessions 1983 And 1984 was released today. An authoritative, exhaustively researched volume about what is arguably one of Prince’s most prolific periods of recording, this new paperback edition adds new interviews with Bobby Z, Wally Safford, Taja Sevelle, “Cubby” Colby, and others. In addition, some of the recording session dates have been updated or confirmed, and there are new sections about previously unknown songs that have never before been discussed. 

You can purchase this new Expanded Edition paperback here: 

For my review of the original hardcover edition, please visit the link below.

Springsteen on Broadway Soundtrack arrives December 14


Columbia Records will release Springsteen on Broadway, the official soundtrack from his 236-show run at Broadway’s Walter Kerr Theatre, December 14. It will be released as a 2-CD set, a 4-LP vinyl record set, and also available to purchase via digital download. In addition, it will be available via digital streaming services. The album will include all of the audio from the upcoming Springsteen on Broadway Netflix special, which will debut at 12:01 am Eastern Time December 16, just hours after Bruce performs the last show of his historic Broadway run.

The CD track list:

Disc 1
1. Growin’ Up (Introduction)
2. Growin’ Up
3. My Hometown (Introduction)
4. My Hometown
5. My Father’s House (Introduction)
6. My Father’s House
7. The Wish (Introduction)
8. The Wish
9. Thunder Road (Introduction)
10. Thunder Road
11. The Promised Land (Introduction)
12. The Promised Land

Disc 2
1. Born in the U.S.A. (Introduction)
2. Born in the U.S.A.
3. Tenth Avenue Freeze-out (Introduction)
4. Tenth Avenue Freeze-out
5. Tougher Than the Rest (Introduction)
6. Tougher Than the Rest
7. Brilliant Disguise (Introduction)
8. Brilliant Disguise
9. Long Time Comin’ (Introduction)
10. Long Time Comin’
11. The Ghost of Tom Joad (Introduction)
12. The Ghost of Tom Joad
13. The Rising
14. Dancing in the Dark (Introduction)
15. Dancing in the Dark
16. Land of Hope and Dreams
17. Born to Run (Introduction)
18. Born to Run


Above: The 2-CD Set. Below: The 4-LP set.




Prince: Before The Rain

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Prince: Before The Rain is a new book of photographs by Allen Beaulieu with a forward by Revolution guitarist Dez Dickerson. Beaulieu captured some of the most iconic images of Prince’s career, shot mostly between 1979 and 1983, including the photos that would become the album covers for Dirty Mind and Controversy, along with the photos that would be used as the inner sleeves of the 1999 album and various singles and EPs issued to promote the 1999 album.

The title Before The Rain perfectly describes this collection of photos, as we’re seeing the visual progression of Prince’s image leading up to the period just before he exploded with his biggest commercial success, Purple Rain.

This stunning collection of photos includes some amazing images that I’ve never seen before including outtakes from the Dirty Mind album cover photo session (including one photo in color), outtakes from the Controversy album cover session, outtakes from the neon bedroom shot that was used as an inner sleeve for the 1999 album, and live concert  shots from 1979-83. There are also plenty of backstage and behind-the-scenes photos along with images that Beaulieu took of The Time, Vanity 6 and Jesse Johnson. There’s even a selection of photos from the October 9, 1981 concert performance in which Prince opened for the Rolling Stones and was booed off the stage. Obviously not a high point, but still part of Prince history, and a motivating fuel for the fire that would push Prince to work even harder to become one of the greatest performers of all time.

Jim Walsh’s written narrative describing Beaulieu’s collaboration with Prince provides fascinating insight into the working relationship between the photographer and the musician. Written contributions from Eloy Lasanta provide context surrounding the albums for which Beaulieu captured the now iconic album cover images.

When an artist like Prince passes away, there will always be critics that say these types of books are just cashing in, but in my opinion, when lovingly curated like this collection, these types of books are treasures. The images help illustrate visual chapters of Prince’s career and capture every dimension of his personality and persona, giving us additional insight into not just the artist, but the human being that he was. Similar pictorials from photographers Steve Parke (Picturing Prince: An Intimate Portrait) and Afshin Shahidi (Prince: A Private View) provide equally fascinating insight. I hope that we’ll see more collections like these, and when all of these pieces of the puzzle are assembled, we will see the most complete picture possible of the fascinating artist and human being that Prince was.

You can order Prince: Before The Rain from here:




The Revolution at Sony Hall, New York City 10/11/18

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The Revolution returned to New York last night for the first of two shows at the recently renovated venue now called Sony Hall, which is owned and operated by Blue Note Entertainment Group and sponsored by Sony Corporation in the heart of New York’s Theatre District at the Paramount Hotel. It was raining outside and there might have been some thunder too, but the main thunder was inside the venue, coming from BrownMark’s bass. The band was on fire and their playing is even tighter than when I last saw them in March in Philadelphia. If you have a chance to catch the second show today, do yourself a favor and go. Here’s a taste of the energy from last night’s show:

Katie Barbato’s new EP The Art of Falling


Philadelphia musician Katie Barbato released her brand new EP The Art of Falling September 21. I’ve been following Katie’s work for the last few years, but because I’m an extremely finicky music fan and am very narrowly limited in the different genres that I enjoy, I didn’t pay enough attention to Katie’s previous music because I had often seen it classified as folk, a genre that I quite honestly rarely enjoy. The folk genre is usually too dark for my personal listening tastes. I’m a pop/rock child of the seventies and eighties who loves a good hook and even a bubblegum hit now and then. Even if she might personally consider her style as folk, in my personal opinion it is a tremendous injustice to try to categorize Katie’s beautiful music into one singular genre. There are certainly hints of folk on a few tracks on this EP, but most of these tracks have a lighter sound and plenty of hooks that will leave you humming melodies in your head long after the music has stopped, an occurrence that rarely happens to me after hearing folk records. I don’t mean to criticize the genre. Folk is simply not a genre that I typically enjoy.

I am happy to report that on The Art of Falling, Katie has found what I truly believe to be her sweet spot. She has written a beautiful collection of songs with inspiring lyrics full of imagery and introspection woven together with gorgeous instrumentation, clever and unexpected chord changes in exactly the right places, and first-class engineering and production. It’s a lovely musical landscape painted prominently with acoustic guitar and Katies’s powerful, yet refined voice, accompanied by electric guitars and keyboards strategically placed to take each song to new heights right around the time that you thought you knew where the music was going. Every slight detour in musical direction within the songs is a delight, and every song is better because of this.

Katie’s voice seems to get better with every release. She has a powerful voice but uses that power to accentuate just the right moments of a song and exercises a perfect amount of restraint when a song calls for a tender or reflective mood. I have heard her use her voice live to carry driving rock songs, and I’ve also heard her use it to get mellow for the quietest of folk songs. The versatility of her voice is rare, as she can sound like any given genre is the genre that she specializes in. Her voice feels right at home within any style. This is part of what makes The Art of Falling such a great collection of songs. Katie’s voice can take her anywhere she wants to go, and anywhere that she wants to take the listener. That versatility gives her an unlimited musical canvas to paint upon.

Every song on this EP is superb. Clocking in at just under 30 minutes, it’s a rare collection of fantastic songs that live nicely with each other in one place. That’s a feat that not even some of the most legendary artists achieve in today’s musical climate.

For you audiophiles and vinyl aficionados, I’m thrilled to inform you that The Art of Falling is available on vinyl in an extremely limited run of only 300 copies. You can order via the link below:

If this is the first time you’re hearing about Katie’s music, I highly recommend that you listen to The Art of Falling and visit her website at